Brown Mucous Before Every Period

5) from the second series "Suffering" 1976-77 (under construction - under costruction)

Portraits / Portraits - Portraits / Selfportraits

Dark Skin Brazilian Thick

4) from the second series "Suffering" 1976-77 (under construction - under costruction)

"The room of wheat" , 1976-77, color photos, 180x180 cm

"The room of wheat" , 1976-77, color photos, 180x180 cm.

"The cabinet and the self-portrait" - 2-color photos 180x170 cm.

"The cabinet and the self-portrait" - 2-color photos 180x170 cm.

"The cabinet and the self-portrait" - 2-color photos 100x100 cm.

"The cabinet and the self-portrait" - 2-color photos 100x100 cm.

"The cabinet and the self-portrait" , 1977 - an overview (part)-180x350 cm.

Baggy Soft Pants Wholesale

3) from the second series "Suffering" 1976-77 (under construction - under costruction)

"The bedroom is my ... cousin - color photo - 180x180 cm.

"The bedroom ... my cousin" - color photo - 180x180 cm.

"Jorge Luis Borges & Riverside Angelo Moscato , 1977 - color photo - 100x100 cm.

"Jorge Luis Borges & Riverside Angelo Moscato , 1977 - color photo - 100x100 cm.

"Jorge Luis Borges & Riverside Angelo Moscato , 1977 - color photo - 180x180 cm.

"hat" , 1977, color photograph - 180x180 cm.

"hat" , 1977, color photograph - 180x180 cm.

"hat" , 1977, color photograph - 100x100 cm.

Maxine Cartoon For Retirement

2) from the second series "Suffering" 1976-77 (under construction - under costruction)

Work in Progress

1977-1997-2005

Translation-Replacement

the second series "affected" 1976-77

from place to place

The House Largo Giulio Cesare Capaccio

"The Living and The Contemporary Art Deco" - "The Urinal" - "The spittoon" - "The Hat" - "The bedroom", etc..

environment, items of furniture, objects, images and (hard task) to recall, through color photography with the Yashica Mat G 6x6, the atmosphere of my childhood who still breathed in these places, in some ways still remained intact. Places where I felt the joy, fear, curiosity and early first sexual impulses. The decision to build a real size of the environment, is to try to tear at the memory and return to reality, to something that was in those years vanished and today, physically, as a result of the earthquake of 1980, there is .

After a picture at a glance, a number of paintings in the living room, and saw the art deco sofa grandfather's protagonist and storage of various objects belonging to him and the rest of the family, combined between them from my direction, in particular in the other images, I have been focusing in close-up of three elements: the urinal ; the spittoon ; hat ; the bedroom, etc.. in their context. Each of these objects, took me back to special times in which curiosity was starting to know them and discover them in the use, look at my mother, my father, my grandfather, my elder brothers, relatives and guests who never failed.

The intention now, in rereading today, as for the "Freedom", is to present the images in other sites, in a sort of "translation-replacement" from place to place, in fact, with some variations to the project, environmental, internal and external.

"The living room sofa and art deco" - N. four-color photographs

n.1-board 100x100 cm.

"The living room sofa and art deco" - N. four-color photographs

panel # 2 - 180x180 cm.

"The living room sofa and art deco" - N. four-color photographs

Framework # 3 - 100x100 cm.

"The living room sofa and art deco" - N. four-color photographs

n.4 Framework - 100x100 cm.

"The spittoon." 1976/77 - N. three color-

n.1 Framework - 180x180 cm

"The spittoon." 1976/77 - N. three color-

panel # 2 - 180x180 cm

"The spittoon." 1976/77 - N. three color-

Framework # 3 - 100x100 cm.

Merial Purevax Feline 4

GOoD Moscato & Art Photos Emilio D'Amato - the first series "Suffering", 1975/76 (in the pipeline - under costruction)

"The Tomb of the family," 1975/76. N. 3 photographic reproduction B & W, 70x150 cm ..

"I Funeral of my grandfather James, anarchist, musician, shoemaker, innkeeper and former miller " , 1975-76

" The funeral of my grandfather James ", 1975-76, part. cadres 7:08

"The funeral of my uncle" , 1975-76 - Part 4:05 paintings

"The funeral of my uncle Nicola Riviello, Royal Army Marshal chosen" 1975-76

through family photographs, from 1975/76, I try to build a training and education received in the historical, social and environmental impact of my childhood (in order to throw it all away, to remove certain clichés ). Starting from the first the home, through photographs, objects, environment, and looking out gradually outside the habitat daily with its customs, with its many signs of a story and a past culture, and continuity "branched", but consistently, in a line of thought, with its possible and (apparently) inevitable developments , I also recall the figure of a good photographer (Emilio D'Amato ). The classic photographer, who like the Fratelli Alinari, in its small, has documented more than half a century of local life in the Town / Country Land and its surroundings. A photographer who has documented, among the other, hundreds of funerals, including the following two that affected my affective and intimate family: my grandfather's funeral in 1957 (when I was 10 years old) and my uncle, my father's brother, in 1941 (six years before I was born), apart from other works presented on this page.

a) "The funeral of my uncle Nicola Riviello, Royal Army Marshal chosen"

Specifications: n.8 image sequence playback Photo B / W sepia.

media, sizes and varying amounts.

b) "The funeral of my grandfather James, anarchist, musician, shoemaker, innkeeper and former miller":

Specifications: sequence of images of photographic reproduction n.9 B /

media, sizes and varying amounts.

works never exhibited

Campaign 21 - February - 2005